Interrupting the Regularly Scheduled Program
Openly marijuana-inspired stand-up Doug Benson displays
casual, chilled comedy on new CD/DVD
By
Michael Shashoua / Jester editor-in-chief
Self-proclaimed stoner comic Doug Benson is back with a new
Comedy Central deluxe CD/DVD set, “Potty Mouth,” that contains a
13-track stand-up performance from Sacramento, Calif., on none
other than the marijuana holiday of 4/20 this year, along with a
DVD featuring six episodes of his Comedy Central series, “The
Benson Interruption.”
Benson does veer away from his favorite topic in the performance
(see review of his last
album, 9/2/10) – in
fact he does tend to careen from topic to topic with few common
threads. But Benson counts as his colleagues very smart
alternative comics like Todd Barry, Sarah Silverman and Patton
Oswalt, and deservedly so, because there is an intelligence
underneath all the pot posturing, crafting his material.
First, Benson’s pot material is original and truly is where his
bread is buttered. He has a large enough fan following as a
result that he can successfully release and sell a second
straight deluxe album set for a second year in a row. In “Mush
Brain,” for example, Benson bemoans the day he agreed to go on
CNN to promote his movie, “Super High Me,” because doing a
remote interview would make him looked more stoned than he
normally might.
And “S#*! You Can’t Say On Television,” checks in on the topic
of George Carlin’s landmark piece, noting that even after
decades and declining levels of cause for offense, “shit” is
still rarely heard on TV. Except on the FX cable channel,
perhaps, as Benson says, he heard it as the beginning and end of
a sentence on a show – “Shit is gonna get real up in this shit”
– meaning it’s clearly used too much on this one channel that
does.
The intelligence that Benson has going for him is more evident
on the “Interruption” episodes on the DVD. The show is built
around the concept of guest stand-up comics, including well
known names such as Adam Carolla and alternative comics like Tig
Notaro and Brian Posehn, doing pieces of their material with
Benson seated stage right and interrupting them at will. At
times, it’s less interruption and more conversation, as with
Nick Swardson (see album review, 7/21/07). At others, Benson’s
interruptions complement the performers and heighten the show.
Either way, you can see how Benson can indeed cover a range of
topics and inspirations. His own act may not seem formalized or
strictly written, and he does a lot with his personality and a
little crowd work in the performance on the CD, but there’s
definitely more to Benson than first meets the eye.
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