Bill Burr: Comedy’s
Future
To
paraphrase Jon Landau’s famous review of Bruce Springsteen in the early
1970s, I have seen comedy future and its name is Bill Burr. (Burr's new
special, "Why Do I Do This?" airs August 31 on Comedy Central.)
Stacking up appearances on various shows (such as small roles on
“Chappelle’s Show,”) where he’s only gotten to show a tiny bit of what
he can do, Burr does stand-up on a much higher level than any of those
pieces.
Burr’s got the dark edge necessary to be great as a comedian. That may
come from growing up with somewhat less-than-loving parents as he
describes or too many difficult girlfriends. Wherever it comes from,
it’s given him the kind of comedic take on life that produces real
gut-felt laughs you get from a comedian totally compelled and committed
to what he’s writing and delivering.
It’s admirable to see that in two separate 30-minute TV specials (on HBO
and Comedy Central) and in live performance recently at Caroline’s in
New York, Burr hardly ever repeated any of the same jokes or material,
so he must be working from a pretty deep reservoir, unlike some comics
who do the same 45 minutes for years on end. In that Caroline’s show
Burr was energized to keep going, ignoring the blinking red light
telling him time was up (he did two shows a night there), only stopping
once he really had to.
A lot of Burr’s material is sheer personal perspective, but when he gets
inspired by current events, he invents his own outlandish spins that
produce that gut feeling only masters can get. Talking about a bar
conversation about prima donna football player Terrell Owens, he makes
an aria out of describing a southern white guy’s use of the racial slur
-- “He didn’t end it with an ‘a.’ He ended it with a clear ‘r.’ He did a
triple axel and stuck the landing on that ‘r.’” And recalling another
controversial sports incident -- the Indiana Pacers “basket brawl” of
last year, Burr remembers footage of a crying little kid in the stands,
saying “I would tell him that’s what life really is, not a guy in a bear
suit throwing you a T-shirt!”
Burr is self-aware, and can be just as cutting on himself, as in
recalling being at a strip club as part of a bit about people who don’t
like their jobs, in this case one of the strippers. Burr makes a creepy
face, saying “It’s not like I want to be here either -- I’m thinking
more about my parents being ashamed of me and so on.” Another bit of
his, talking about crazy thoughts, Burr handles in unique fashion,
slamming himself because he can’t explain to a girlfriend why he thinks
one of those thoughts is funny.
It’s this self-deprecating thread underneath Burr’s bravado, like
Richard Pryor often had, that makes Burr’s mastery of comedy clear. One
could cite lots more of Burr’s material, but it suffices to say that
judging by the edge of his material and the volume of material he
apparently has, Burr is more than ready to play large theaters, have
hour-long HBO specials, and command a much larger audience. |