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The King’s Speech
PBS documentary chronicles late-night comedy colossus Johnny
Carson’s career, offering a few new insights
By Michael Shashoua / Jester editor-in-chief
The 2-hour PBS American Masters special documenting the career of
Johnny Carson, airing starting May 14 on PBS stations, is as elegant
as the man himself. “Johnny Carson: King of Late Night” serves as a
good reminder to comedy fans, comedy nerds or comedy scholars, of
just how much Carson pioneered in television, particularly in late
night and comedy.
So many of the clips used in the special feature Carson delivering
transgressive remarks or punchlines with the greatest of ease and
accessibility. This documentary is enhanced by narration from Kevin
Spacey, which like its subject, conveys the appropriate amount of
reverence while still sounding lively and mischievous.
“King of Late Night” is comprehensive about Carson’s life, and the
ambitions and outlook that drove him in his career success, and
sometimes to personal failings, such as divorces and abusing
alcohol. The documentary also contains a generous helping of all
current and former NBC late-night hosts (Letterman, Leno, O’Brien
and Fallon) paying homage to Carson by describing his impact and
influence, and in some cases, their personal relationships with him.
Especially poignant, and where viewers really get previously unknown
parts of Carson’s life, is the documentary’s treatment of Carson’s
post-retirement years in semi-seclusion in Malibu, Calif., until his
death at age 79 in 2005, from cancer caused by years of smoking.
Until then, it seems like Carson had many good years lounging
poolside, enjoying his well-earned solitude. The documentary
provides flashes of Carson’s solitary loner tendencies, even at the
height of his fame, and alludes to how the stern character of his
mother affected him well into his successful years.
Like its subject, “King of Late Night” is smooth, authoritative and amusing. Also like Carson himself, the documentary leaves an air of mystery, only pausing at one point to suggest what his “Rosebud” might be.
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© 2005-2018 Michael Shashoua