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Condensation
Drawing on a
master’s style, Dana Gould flips the script on his own tendency
toward rounding out longer stories in stand-up
Former Simpsons writer and veteran stand-up comedian Dana Gould’s
new album, “Mr. Funny Man,” to be released October 6 by Kill Rock
Stars, finds the comic shape-shifting his material away from
longer-form storytelling (described in a 2008 review) and
toward shorter, compressed brief pieces.
Some of the bits Gould offers now have a decided George Carlin
influence on their style and tone, that Gould didn’t possess in the
past. Gould began performing at age 17, and is now middle-aged and
divorced, so his persona has evolved from fresh-faced kid to family
observational humor with an edge and on to something more pointed
and even edgier.
The tracks or pieces on “Mr. Funny Man,” while short, in their own
way are little stories unto themselves. Gould’s take on the world in
his material hasn’t changed all that much, despite happening to land
on a couple ideas that are very much in Carlin’s spirit. Gould moves
quickly from one bit to the next, starting with “Fast, Phallic &
Furious,” a take on the Fast & The Furious movies being all about
phallic objects – including the actors – that is very reminiscent of
Carlin’s “Rockets & Penises in the Persian Gulf.” In that early
1990s performance, Carlin pointed out all the phallic imagery in
warfare and armaments.
Taking on another taboo that Carlin also memorably mined, Gould’s
piece called “Chimps, Bears & JFK,” quickly relates information
about monkey attacks to make a point about people objecting to jokes
about rape. Gould notes that monkeys are programmed to first break a
person’s jaw, then their hands and then their genitals, third and
last, so the threatening person won’t rape them – as if someone with
that damage would then still be interested in “a slice,” as Gould
puts it. As Carlin once said, “Don’t say rape can’t be funny, I can
prove it to you -- imagine Elmer Fudd raping Porky Pig.
In the end, “Mr. Funny Man” leaves the listener with little time to
think, as Gould gets in and out of each comic premise quickly and
concisely. Each of the little bits accumulates into a whole that is
consistent in style even if it isn’t stretched-out storytelling
comedy, as Gould has tended to do much more often in his material.
By not dwelling too long on any one idea, Gould keeps you laughing
without end.
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© 2005-2018 Michael Shashoua