Sweethearts of the Sketch Show
People’s Improv Theater players Kathy Salerno and Emily Altman
find their way through the risqué and less so in collection of
pieces.
By Marshall Stratton /Jester Correspondent
Sketch
players Kathy Salerno and Emily Altman don’t shy away from
raunch in their People’s Improv Theater show “Total
Sweethearts,” seen recently. They begin the show with sexy music
filling the house as they act out having sex with chocolate.
Moans and groans ensue as the duo sensually drape themselves in
brown blankets, as Salerno belts out, “We can fuck chocolate!”
The sketch ends appropriately with them feining masturbation
with Dove bars.
But Salerno and Altman do reveal character range as well, in
other pieces such as one where they play two dudes in a bar
talking about getting wasted and getting in touch with
themselves again. Salerno proclaims wanting to be a sculptor
again. Altman responds to every discovery by screaming in
disbelief, harnessing her inner frat guy. She tries to join in
the game, but her pronouncement that she will return to
counseling is designed to fall flat and Salerno calls her names
for it.
Other pieces in the show are built around an older set of pop
culture references, namely songs from Pearl Jam’s first couple
albums from nearly 20 years ago. In one, Salerno and Altman
appear in a simple dinner table scene. They are quiet, building
tension until Altman says, deadpan, “Jeremy spoke in class
today.” A wave of laughter builds across the theatre as the joke
settles in, and the sketch is immediately blacked out.
They then employ the same method of throwing in a well-known
Pearl Jam lyric line in two other pieces, from the songs
“Daughter” and “Alive,” as callbacks. “Daughter” is used more
for mood in a piece where Salerno played a mom grateful to
police for finding her son, although there is some question as
to whether the boy in question is indeed her son. Salerno yells
at him to stay away from the door, so the cops don’t see him to
reveal he isn’t her son. Later in the show, “Alive” appears with
Salerno posed as though in a coffin, in a bit more cartoonish
type of reference.
Anyhow, sometimes the show’s raunch went over better than
others. Salerno plays a character asked by Altman, playing her
mom, if she snuggles with her boyfriend after sex. Salerno says,
“No, he just pulls out, then he cleans off his dick, and I go
pee,” which got a big audience laugh. But another piece, in
which the duo played two older women debating whether to take
off their sweaters due to the heat, and Altman is trying too
hard to convince Salerno to undress, revealing she wants to be
more than just friends, came off as predictable, judging by the
audience reaction. Also, in another sketch where Altman played a
Yankee Candle call center worker taking a call from the singer
Alicia Keys (a characterization), who tries to seduce her over
the phone with a low voice, Altman plays her character as just
oblivious, so there isn’t very many places the comic premise can
go.
Though their show has some ups and downs, Salerno and Altman do
make some connections with audiences with some of their
material, and certainly aren’t afraid to take bold risks with
crude humor. That does pay off for them at times, and they have
moments where their emotional investment in scenes seems to
match that exuberance.
“Kathy and Emily are Total Sweethearts” returns to The PIT at 7
p.m. Saturdays, July 23 and 30.
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