Good To Great
Sarah Silverman cohort Tig Notaro comes
into her own with stand-up album
By Michael Shashoua / Jester editor-in-chief
Comedian
Tig Notaro, best known for her role on “The Sarah Silverman
Program,” that late lamented Comedy Central show, has released
her first album, “Good One,” on Secretly Canadian, a music label
that mostly distributes rock bands rather than comedy.
Notaro’s material echoes that of her colleague, Silverman, in
pacing, outlook and tone. She’s definitely got an inventive
comic mind. A lot of the pieces are short, excepting two
tour-de-force longer pieces that are central to the album,
“Taylor Dayne” and “Self Defense/Shark Attack.” The former, in
particularly skilled stretching out of a shaggy-dog type story,
in the manner that some comedians did with an age-old dirty joke
in “The Aristrocrats.”
In this piece, Notaro begins with an unlikely celebrity sighting
of the now-obscure 1980s dance music singer. She keeps to the
rule of threes in describing repeated encounters with the faded
star. It doesn’t even matter what Dayne’s actual personality
might be, it’s more around some imagined snideness the character
could have toward fans. Notaro has the audience in the palm of
her hand as the piece progresses. To say much more would spoil
the piece, but it’s definitely the strongest highlight of the
album.
A couple of the much shorter pieces on “Good One” also display
this same level of craft, namely “Can You Believe It, “No
Moleste” and “Little Titties.” “No Moleste” especially imagines
a skewed world in a similar fashion to “Taylor Dayne,” in which
Spanish “do-not-disturb” hotel placards can ward off all kinds
of evil.
“Good One” might not necessarily be an album that inspires
repeated listens, but it’s good work and shows what Notaro can
do.
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